The aesthetics of the Okanga dance of the Enu-ani people of Delta State

Abstract

This study investigates the aesthetics of the Okanga dance, a traditional performance of the Enu-Ani people in Delta State, Nigeria, elucidating its cultural and artistic essence. Anchored in the theoretical frameworks of aesthetics and performance, the research examines elements such as music, costumes, movements, body language, and formations. Employing qualitative methods—participant observation, interviews, and multimedia documentation—the findings reveal Okanga dance as a dynamic interplay of rhythmic traditional music, vibrant costumes adorned with intricate designs, fluid and symbolic movements, expressive body language, and coordinated group formations. These elements collectively reinforce the dance’s role as a medium for cultural expression and non-verbal communication, deeply rooted in the socioeconomic and spiritual lives of the Enu-Ani people. The study underscores the significance of Okanga dance in fostering communal identity and cultural continuity, advocating for its adaptation and preservation amid globalisation. Recommendations include integrating Okanga dance into professional choreography, promoting research through academic and cultural initiatives, and supporting its documentation via national festivals to protect this intangible heritage. The conclusions affirm that Okanga dance is not merely an art form but a repository of cultural memory and identity, offering a powerful medium for promoting Igbo cultural values globally. The dance can transcend local boundaries by leveraging its aesthetic and performative elements, enabling broader recognition and appreciation. This research is a foundation for further explorations in African traditional dance studies and provides actionable insights for cultural policymakers and educators committed to preserving indigenous art forms.