Nigeria, a hawks-public: Diran Ademiju-Bepo’s No More the Taming Hawks

Abstract

This paper analyses Diran Ademiju-Bepo’s No More the Taming Hawks. This play metaphorically critiques Nigeria’s political leadership as a “Hawks-Public,” characterised by predatory governance and systemic corruption. Through vivid metaphors such as “Hawks-Cellency” and “Supreme-Hawks-in-Council,” the play portrays a leadership class prioritising self-interest and exploitation over people-centric governance. Employing prioritising qualitative methodology, the study dissects the symbolic and narrative elements of the play, revealing the parallels between its fictional Hawks and the realities of Nigeria's political elite. Drawing from the Realist Theory of Conflict and Reader-Response Theory, this research interprets the cyclical nature of leadership failures and broken promises, framing Nigeria as a nation ruled by Hawks who thrive on chaos and power struggles. The paper further examines the play’s thematic critique of dictatorial tendencies, coup-driven power shifts, and the erosion of traditional values. By exploring the symbolic clash between Hawks and Doves, the study highlights the need for unity and collective action among Nigeria’s “Doves”—the peaceful and virtuous citizens—to restore the ideals of democracy. The findings underscore the play’s success as a satirical mirror of Nigeria’s political absurdities, challenging the audience to confront societal flaws and advocate for transformative leadership. Ultimately, the paper posits that No More the Taming Hawks serves as an artistic and political call to action, urging Nigerians to transcend divisive self-interest and forge a unified front for national renewal.